Showing posts with label Norway. Show all posts
Showing posts with label Norway. Show all posts

Wednesday, 4 December 2024

Midnite Madness CXCV—2024

Flayer of dreams
Ghostrider of sleep

OBITUARY:
1. ACERO LETAL - BESTIAS DEL SUR
2. SPECTRAL VOICE - RED FEASTS CONDENSED INTO ONE
3. DARKTHRONE - EON 3
4. ABHORRATION - SPAWN OF AN ABHORRENT ENTITY
5. DEMON SPELL - EVIL NIGHTS
6. RETORSION - FÖLDI POKOL
7. VEMOD - TRUE NORTH BECKONS
8. CENTURY - SACRIFICE
9. STRESS ANGEL - JERICHO’S TRUMPET
10. STENCHED - SUPPURATING CRANIAL CAVITY
11. HEAVY SENTENCE - YOU’LL NEVER TAKE US ALIVE
12. OBNOXIOUS YOUTH - LETHAL REVENGE
13. COFFIN STORM - EIGHT-FIVE AND SEVEN MILES
14. SANCTUARIUM - PLEGMATIC CONVULSIONS
15. POISON RUÏN - LAID WASTE
16. KVELDSTIMER - FOLK OF THE BLOSSOMING SKY
17. ARMAGH - AFTERMATH
18. SEPTAGE - HARIS VE AFIS DALYARAKLARIN HAZIN SONU (NIHAI İNFILAK)
19. DEMON BITCH - NOT OF THE CRUCIFORM
20. AVMAKT - SHAPRENING BLADES OF CYNICISM


Wednesday, 13 November 2019

Midnite Madness CXXVIX—2010-2019

As promised, the 2010-2019 show, playing some of the best of the past decade. Hell, even the extra hour here did not provide enough time to fit them all in, but between the previous show and the next one, it should give you a good idea just how good the past ten years of releases have been. For me, up there with really any decade sine the 80s. So many great bands, so many fantastic releases, but sure nobody reads any of this, so I am just going to say goodbye and see you non-readers again in four weeks time for the end of the year show.

Thursday, 18 October 2018

Midnite Madness CXV—Nocturnal Decay

ALFUCKINRIGHTTT... Show 115, more total Midnite Madness, with many-a-style represented. I must admit, I have been consciously trying to mix it up a bit more these days, and, well, without sounding like a cunt, it's kinda working. Anyways, my show is only as good as the releases that seem to keep coming, and 2018 is no exception. Show 117 promises to be a blast... See you in four weeks, on November 14th, for more Midnite Madness.

Monday, 30 July 2018

Midnite Madness CXII—Armed and Dangerous

Armed and dangerous
With the music that we play
Our guitars have the power
To blow you all away
We don't need any weapons
Just the ones that we supply
We're armed and dangerous
And that you can't deny...

Saturday, 9 January 2016

A Fist in the Face of God presents... Full Speed Ahead Vol III - A Mix by Hades & Olof

You know, with every year that passes, the 80s get further away. Luckily for me, missing the 20th century is almost a worldwide hobby these days, and what better way to roll back some musical years than by blasting your ears with the shrieking sounds of 1980s speed metal.
It was on this year's first day, as I cursed the awakening of yet another year further from metal's golden age, when I got an email from my buddy Theodor "Hades", informing me of his latest mixtape, this time featuring tracks picked by Olof of the Swedish speed metal band Enforcer. And boy, did they do good, even throwing in a good few tracks from bands I'd never heard of before. Over to them...

A few words from Hades:
For the new Full Speed Ahead compilation I asked my pal Olof Wikstrand of the band Enforcer to join me in selecting half of the tracks, because we both worship this genre and I knew he'd pick some kickass tunes. I'm totally satisfied with the result, and I'm sure it's going to interest anyone who likes fast 'n' wild heavy metal, so play it loud and bang your skulls!
And from Olof:
Hades asked me if I wanted to join him for the next Full Speed Ahead compilation, so of course I immersed myself right into it and collected a bunch of my favourite tracks of both well known and some more unknown bands. Speed metal is, in my opinion, the ultimate metal genre, being the most aggressive, passionate, heavy and serious. The energy level is higher than any of the modern shit and contains everything I could possibly ask for. Enjoy!
TRACKLIST:
01. Powerlord (USA) - "The Invasion of the Lords" [1986]
02. Mad Max (Germany) - "Shout and Cry" [1984]
03. Fingernails (Italy) - "Just Like You Want" [2006]
04. Lizzy Borden (USA) - "Godiva" [1985]
05. Randy (Denmark) - "The Beast" [1986]
06. Znöwhite (USA) - "Do or Die" [1984]
07. Acero Letal (Chile) - "Por la Gloria del Metal" [2009]
08. Blind Guardian (Germany) - "Trial By the Archon/Wizard's Crown" [1988]
09. Van Halen (USA) - "Hot for Teacher" [1984]
10. Death Dealer (Canada) - "Cross My Way" [1983]
11. Impulse (Bulgaria) - "Gladiator" [1989]
12. Kratos (USA) - "Iron Beast" [1985]
13. Terminal (SWE) - "Satanski Narocila" [2015]

LONG LIVE THE LOUD!!!

Tuesday, 3 November 2015

DEMOndays VIII

ALRIGHT. Apparently I either forgot yesterday was indeed Monday or that I have this week-beginning obligation (both, actually), but here it is, nevertheless—volume VIII of the DEMOndays series. This week you are getting one track, but a great eleven-plus minutes. Perfect for the fog/changing season, should you be reading this in the Northern Hemisphere, that is. More black metal on the next Maniac Monday on November 17/18.

STRID (Norway) - "End Of Life" [1993]
1. End of Life
I am hoping to some degree this post will become "interactive". By this, I mean that most of my files are rips from the internet and some, as killer as the music is, are not very good/high quality recordings. Also, sometimes the artwork is incomplete or low-res. So, what I am asking here is for people to help improve these demos. If you have a better recording, higher-res artwork, info regarding the demo, etc, PLEASE either mail it direct to me here or simply add a link in the comment section. Go on.

DISCLAIMER: If you own the recording and want it removed, please do not be an internet snitch and make a DMCA claim, just email me or leave a comment and I will remove it. Thanks.

Monday, 26 October 2015

DEMOndays VII

ALRIGHT. Seeing as how you all lapped up that last dose of punk with zeal, here's another. Not quite as caustic as last week's demo, but every bit as ripping. And yes, the cover does kinda suck, but you know what they say about cover-judging...

AVFALL (Norway) - Das System [2011]
1. Norsk Moral
2. Avfall
3. Systemslave
4. Mein Klassenkampf
5. Dødsprofitt
I am hoping to some degree this post will become "interactive". By this, I mean that most of my files are rips from the internet and some, as killer as the music is, are not very good/high quality recordings. Also, sometimes the artwork is incomplete or low-res. So, what I am asking here is for people to help improve these demos. If you have a better recording, higher-res artwork, info regarding the demo, etc, PLEASE either mail it direct to me here or simply add a link in the comment section. Go on.

DISCLAIMER: If you own the recording and want it removed, please do not be an internet snitch and make a DMCA claim, just email me or leave a comment and I will remove it. Thanks.

Friday, 14 November 2014

Midnite Madness LXV - Unholy Norwegian Forces of Evil IV

Here it is, finally, the long-awaited Norwegian-only edition of the Unholy Forces of Evil franchise is GO. Again, this is not a definitive compendium as such, more a ripping collection of tracks from the golden era of Norwegian metal—the mid-80s to the mid-90s. Well, it is still exporting many greats, but it was then that it all started, and this show is just giving props to those bands who, like or not (Emperor!), changed the sound of so-called "extreme metal".
Also, I wanted to use my outlet to showcase the actual music from two of the scene's pioneers whose myth and legend has somewhat obscured what should be their musical legacy. I am of course talking about Mayhem and Burzum, so hour two is almost fully occupied by tracks from their best (my favourite) releases, with a couple of Darkthrone tracks in-between. Refer back to the all-DT show for further listening on them, should you need it.
Midnite Madness will return for its final show of the year on December 9th with the 2014 show. There may be a new version of the show for 2015, but that has yet to be decided. SOON!

Sunday, 15 April 2012

Interview with Condor

The town of Kolbotn gets a lot of coverage on here. Not because of its sleepy, cosy village vibe and excellent kebab shop, but because it produces so many insanely cool metal bands. And that fountain of metal purity is still flowing like an escalator straight out of hell, with three schoolkids calling themselves Condor the latest addition to the prestigious Kolbotn Thrashers Union.

It was pretty tough to get an interview what with their dedication to both school and band rehearsals, but here it is.

AFITFOG: Hey guys. Can you give me some background info on what you do outside of Condor?
‪Condor‬:
Well, Magnus is an active skater and pops many sweet ollies in his spare time AND school time. Christoffer just became a mailman besides school and Herman is an active deadhead. Christoffer is also a hiking metal punk. We all love to share good laughs. Together.

OK, I see. Wait, you're all still at school? How old are you three?
Herman and Christoffer are 18 and Magnus is 18 in May. Yeah, we're all in school, but it's Herman and Christoffer's last year now.

Whoa, impressive. So you started Condor back in what, 2009?
Yes. It was Herman and Magnus first of all with Christoffer joining in 2010. They liked his other band Repellent, asked him to join, and the rest is a secret.

Repellent were great. So you guys come from the famed metal town of Kolbotn. Was it tough for you to come out with your own band at such a young age, given the high standard of what Kolbotn spits out?
We didn't think about that at all at the start, we just played like the other bands—Darkthrone, Nekromantheon, Obliteration, etc—did before us. We believe it is our influences that define our sound, not the geography, but who knows. However, being from Kolbotn and knowing about the metal scene here has helped us a lot, both in terms of inspiration and them hyping us very much, haha.

But you weren't afraid of being able to live up to the mantle of being "another band from Kolbotn"—i.e., that people will expect you to KILL?
No, not really. We were surprised by all the kind words and that people liked it so much. Our next album will absolutely kill! Like a murder. Killed for the very first time. Magnus would like to add that he has killed a few people, of course.

Yeah, I heard that about him. So what's the fascination with baby stealing, then?
Magnus, again—he has a problem. Haha, no. We read it in a scanned picture of an old news article. We saw the word "condor" and the picture, and just had to use it as a title. A baby got stolen by a condor, and that's pretty badass, hence the title.

But you're named after the Aura Noir track "Condor", right?
‪Y‬es! CONDOR!

So let's talk about the first demo a little. Was it recorded live in your rehearsal space?
Haha, thanks for the compliment! That's the way it should be, but no, it wasn't. We used one mic on the drums and got a very nasty bass sound, so it doesn't sound very good, but maybe it fits the music. The music was made in Condor's early days, so the songs are very different from each other. If we could have the opportunity now, we'd cut a few tracks, except from "Lumberjacks from Hell" – that's the coolest song in our eyes! Also, we used a cowbell which was supposed to be used in just one place on a track, but Herman went crazy and played it on all the songs until we removed it from the set, haha. We guess we're the first band from Kolbotn that does NOT need more cowbell. But hey, maybe in some years people will refer to it as "The Cowbell Demo". That would make us proud.

I love "Lumberjacks from Hell". So onto last year's demo, Speedwagon, or is it an EP? It's an EP, right?
Don't know that it is, really, haha. We call it an EP, it sounds cooler.

Alright, EP it is, then. It sounds almost as if you guys went and sold your souls to the devil at the crossroads in the year between releases...
Well, funny story—we actually did! No, of course we did not, haha, we are die-hard Christians. Thank you, Jesus!

That's a really funny joke.
But seriously, we feel the same way. It's completely different, much better. The new stuff we make is in the Speedwagon style.

Yeah? How far are you into the next release? And is it an album this time?
It's an album, alright! We're done with some songs and it sounds good. Three titles to get you sweaty is "Blood Fever", "Heavy Metal Demon" and "The POSSESSOR"! Are you possessed, Dylan?

What!? Of course I am. I'm possessed by both weed AND metal. So when can we can we expect this new Condor assault?
Late this year. We're looking forward to it.

How was it playing with fellow Kolbotn masters Aura Noir and Nekromantheon earlier in the year in Drammen?

That concert was fabulous, we enjoyed it very much ourselves. Free beer and playing with Norway's best band, how can you go wrong? Rhetorical question, btw. We also got a free Aura Noir concert.

So what, other than your local heroes, baby-stealing condors, skating, and school, are you guys influenced by?
We're influenced by many punk/thrash bands at this moment. Stuff like Bad Brains, D.R.I., Adrenalin OD, Puke, Faff-Bey, etc, and the usual thrash bands—Kreator, Sodom, Metallica, Whiplash, Nuclear Assault, Slayer, Antichrist. By the way, the new Nekromantheon album is perfect.

What about stuff outside of music? I see the news dictates some of your lyrical content.
The weather is an influence, it decides your feeling, and it's so cold here up North in the winter that you have to play fast to keep warm. Christoffer is especially influenced by the woods and we're all getting angrier and angrier every day at the conformity in our society around here. It sucks, but it keeps us from playing anything other than thrash!

What do you mean "the conformity"?
Most people seem to wanna look and be the way that is socially accepted and don't even dare to be different. Everyone is turning into make-up. It's not good. This development also influences the music, it kills the soul. And the boys are now more feminine than the women...

A‬lright. Keep it Christian, guys!

Condor (Norway) Facing The First Winter (2010)

1.Facing the First Winter
2.MC Inc.
3.Inferno
4.Lumberjacks from Hell
5.Slaughter
6.From the Fields
7.Ready for Winter

Sunday, 30 October 2011

Interview with Jon Stenson of Black Magic


Last weekend's second annual Live Evil not only lived up to expectation, but also the heights of last year's bar-raising weekender. One of the many bands who excelled were a yong band from the mountains of Norway called, simply, Black Magic. I heard them first when they were still a black metal band back in 2008, but their 2010 demo Reap Of Evil really made me think this band could become something special. I contacted the band's chief songwriter, Jon Stenson, about an interview last year and, kind as he was, he was too nervous to do one as he had never done one before.

Fast forward to October 2011 and I managed to get not one, but two out of him - one before the fest and one after - so technically I gave him his first and second interview, but whatever, here is an alamgamtion of both. By the way, Jon is like Daniel LaRusso or something and had the most PMA of anyone ever to land in London for the first time with nowhere to crash. He is a bona fide metal apprentice worthy of claiming the throne one day.

AFITFOG: Jon san! How was it traveling to London? I hear you have a great fear of flying.
Jon:
It's just the classic 'nowhere to escape' reason. But I can tell you what you do when you hate flying - you realise the drinks are free, you drink them, accept death, and listen to Heavy Load.

Haha, okay. Did you enjoy your first time playing in London?
I did, yeah. Playing in London was actually a dream come true, couldn't be more happy about getting that opportunity. And although my playing was a little more shabby than I would want it to be, I think we put on a good show. Free beer, nice people and good music—couldn't ask for more. We all had a blast.

You started the show standing on some amp covers, what was that all about?
The boxes were there to make us feel like metal gods. Being big Judas Priest fans and watching old Slayer clips from 83, we just had to do it.

Did you have a decent place to crash in the end?
Haha, I was actually kicked out of the "hostel" the other guys were staying at after only a couple of hours sleep on a bean bag. Angry, drunk, and confused, I was heading towards the airport when I suddenly realised that we hadn't played the show yet, hahaha.

HAHA! No WAY, dude, that is incredible. So what did you do?
I found my way back to Camden Town and bought a fake Casio watch. It's really nice.



Wow, unorthodox, but effective, especially if it has a date display function. So let's backtrack a little. Let's talk about the band's origin.
In 2006 I had an old band which Cato of Deathhammer liked and when I went down to the south to visit a girl in his town I contacted him. We met up and jammed and listened to music—it was the first time I'd heard Bonded by Blood—and we decided to form Black Magic.

So Exodus had a profound effect on you then?
Ah, no, we listened to lots of different stuff. The Black Magic you hear today is more influenced by heavy metal and old Slayer, compared to the Reap Of Evil demo.

Yes, I was going to say. That is very much black metal-influenced, then the second demo is thrashier, yet the new material is more heavy/speed metal-based.
Reap Of Evil was more influenced by Hellhammer and Sabbat, but of course it had some elements of heavy metal to it as well. "Voodoo Curse" is probably a good song to describe our current sound.

So how long did the writing process for the album take and are you using any of the demo tracks for it?

A lot of the riffs are old from 2007 and up 'til now.

And it's coming out on Dying Victims?

Yeah, I think Florian [Grill] is tired of waiting, but it will be ready pretty soon...

So tell me, you compose all the tracks yourself and then have Sadomancer of Deathhammer record drums and Salsten, also of Deathhammer, join live?
Yeah, I compose the tracks. Sadomancer has made two riffs for the new album, though, but Salsten refuses to record bass because he thinks I'm better at it, haha. But yeah, me and Sadomancer write the lyrics and he plays the drums too.

Nice. He is a wizard that guy. A true master of evil.
Ha ha, the master of evil lives in our minds and the wizard holds the key to our music.

Profound. So, aside form Judas Priest videos, what else inspires the sound and lyrics of Black Magic?
SHOW NO MERCY! Iron Maiden too. Satan, I guess. I really don't think people will hear all my influences but I get inspired by bands like Camel and Rainbow, anything really, not just the riffs but different "moods".

So will there be a tour of any sort after the album's release?
There will be no one to tour for because once they hear our album they will be dead, ha ha ha [evil laughter]. The people of London and around the world better be there when we play!

Nice. Thanks again Jon-san, you are soon to be the master, not the apprentice.

Jon was kind enough to let me post last year's pretty much already classic demo for all of you who missed out on the cassette. This is from Jon's .wma files, so they sound a little better than the tape-rip I made so I could use "Possessed" for my end of year mix, last year. It also includes a little bonus track not found on the tape, but I did include it on last week's Live Evil Mix, namely "Voodoo Curse" which, for me, is simply fucking incredible. I must've played this almost a 100 times since he sent it to me last year. Can't wait for the fucking record!

Black Magic (Norway) Reap Of Evil (2010)
BLACK MAGIC,Reap Of Evil
1.The Ritual/Night of Mayhem
2.Possessed
3.Embraced by the Occult
4.Voodoo Curse (Bonus Track)

DOWNLOAD

Friday, 11 March 2011

A Fist in the Face of God presents... In Crust We Trust - A Mix by Brad & Sindre


When Nocturnal Cult scribe Bradley Smith said he and Sindre SolemObliteration frontman and Nekromantheon bassist and sometimes vocalist—were doing a crust mix, my first thought was: great. Given that Brad lives in Hawaii and Sindre lives in Norway, there was one small obstacle to overcome; the Atlantic Ocean. However, thanks to the internet they managed to compose it solely over email and here it is, with a little intro from Mr. Smith.


The
In Crust We Trust compilation represents a cross-Atlantic crust duel between Sindre, Norwegian vocalist for Obliteration/Nekromantheon, and Brad, American editor Nocturnal Cult Webzine, each one trying to destroy the other by picking the most crushing or devastating crust track they can find in order to annihilate the opposition. So who wins this battle between metal brothers? Only you can decide.
TRACKLISTING:
1. Amebix (England) - “Arise!” (1985)
2. Axegrinder (England) - “Life Chain” (1989)
3. Holokaust (USA) - “54 Wars” (2005)
4. Hellbastard (England) - “They Brought Death” (1990)
5. World Burns To Death (USA) - “Apparatus” (2003)
6. His Hero Is Gone (USA) - “Thieves” (1996)
7. Monuments To Ruins (USA) - “Sleep Rite” (2005)
8. Morne (USA) - “Force” (2009)
9. Detestaion (USA) - “Searching for Oblivion” (1996)
10. Tragedy (USA) - “Crucifier” (2006)
11. Murderess (USA) - “Cover the Earth in Graveyards” (2009)
12. Masakari (USA) - “XII Abandoned” (2010)
13. After The Bombs (Canada) - “This is Hell” (2005)
14. The Secret (Italy) - “Weathermen” (2010)
15. Summon The Crows (Norway) - “Life is Shit” (2006)
16. From Ashes Rise (USA) - “The Mandate” (2003)
17. Sanctum (USA) - “Hault the Machine” (2008)
18. Severed Head Of State (USA) - “Dust to Dust” (2003)

Sunday, 24 October 2010

Interview with Espen T. Hangård of Diskord



Rounding off my Live Evil coverage is the full-length interview with Espen T. Hangård, of Diskord, a portion of which featured in the last issue of Vice magazine.

Diskord open today at Live Evil, and if today is even 1% as good as yesterday, it's going to fucking kill, ha ha. Thanks again to Marek, Mark and everyone that played and got wild with us yesterday, its been amazing.

So, when did you join Diskord?
Espen: Early 2007, after their previous guitarist Chris Piss/Bowelripper quit. He wanted to focus more on Lobotomized. I had known the Diskord guys for five or six years before that, mixed their second demo, and made some guest appearances on the demos/album. They asked me, and I told them I wanted to hear the album, which was finished by then, and was pretty much blown away.

The album is very very interesting indeed. Who wrote it, or was it kind of an amalgamation of ideas?
All three of them wrote pretty much entire songs by themselves. A couple of songs they worked on together, I think. They all have a pretty distinct style, but it still works well together still.

It has a really unique style, huh? I mean, it is easily classifiable as death metal, but that is not really covering half of it. In parts it's almost jazz-like in its construction.
I agree! Having not been in the band when it was written, I think I am fortunate to have a relatively objective look on it. I think it is very much a death metal album, even though it uses some odd elements. And there is a very strong signature in the riffs, the structures, the playing, and the sound. I'm amazed, and a fan, he he.

You are entering the studio in the next couple of weeks to record the follow-up, will it be similar in style to the last two releases?
That's right, we're starting on Monday and will be tracking for 15 days.

With your style, is everything written before you go in, or are there parts that you are left open to some studio spontaneity?
I think the album will be more of the same, basically. Eyvind and HJ have written five songs each, and I have written two. It's all very much set now, except the solos and a couple of the lyrics. We're discussing the production and the aesthetic for the most part now.

Cool. What sort of stuff influences you guys? other music, nature, movies, drugs etc.?
I think I'm mostly inspired by music! I listen to music for a few hours every day, so that is all being processed somewhere. I love going out in the forest, but haven't done it much lately. Don't think it inspires me directly, but it can clear the mind very effectively. We're probably one of the least drug influenced psychedelic bands in the world, though, ha ha.

Wow, really? you wouldn't really guess it from the music/artwork!

We're naturally fucked up.

Haha, that's always good. But there must be tonnes of 'shrooms etc out in the forests in autumn, no?
Yeah, they're called fleinsopp. Never tried it, but I think it's pretty potent stuff. The Mysticum guys were big shroom heads, I heard.



Hey, have you ever been into Dag Nasty?
I was more into Minor Threat and Fugazi, he he. I admire Dischord immensely, but I don't think the Diskord guys had even heard of them when they started the band. One of them probably read a book or a dictionary and liked the sound and meaning of it. Band names- you can't win.

You mentioned you were into hardcore, is that how you got into metal, or the other way round?
Metal was first, but I got into hardcore around 1990, when the Blitz squat in Oslo was making headlines doing demos against Thatcher, etc. and they had great bands playing there, like Life But How To Live It, Stengte Dører. Napalm Death even played there in 88, but I found out the next day.

So there was a big scene in Oslo before black metal overtook?

For hardcore there was a scene, yeah. The Blitz bands toured all over Europe and paved the way for other bands later. Touring German and Spanish squats is still called the "Blitz Route" here in Norway. But for metal, there wasn't really a scene before the BM thing blew up.

Wow, cool. Did you play in any bands then, or were you just there for the music, beer, chicks etc.?
We started noplacetohide when we were 15 or so, and didn't play in Oslo until around 1993.

How was that transition from punk to bm? Did you see a lot of the same guys at the shows?

No, I don't think there were many people into both scenes at that time. Although I read Fenriz used to hang at Blitz. He's a couple of years older than me, and I lived in Tønsberg. Didn't notice him until the Bootleg TV shows. Early black metal had a lot of national symbols, flags, folk tunes, etc. And the Blitz scene was very much politically correct, AFA, etc. So they were pretty much opposed parties in the music scene.

He's everywhere! What was the Bootleg TV show?

Bootleg was a youth house in Oslo that put up shows. And they recorded the concerts and it was broadcast on National Television late night. So I'd sit up every Friday till 3 in the morning and would catch Darkthrone, Equinox, etc. Bootleg was great, Darkthrone got signed to Peaceville from a live recording there. Fenriz was this young opinionated brat with very quotable statements, ha ha.

Ha ha! He still is very opinionated and very quotable, nothing changed there, ha ha. Was there any conflict between the two scenes at all?

The Blitz activists had a fight going with the skinheads. I remember someone wrote an article about how they had seen black metal guys mingling with skinheads, so it was pretty chaotic, ha ha

When you say skinheads, you mean the racist type, right.
Yeah, racist. The SHARP skins were buddies with the Bltiz people. Not too sure about the motivation for the Nationalist imagery in BM. I thought it was extremely corny and hillbilly-ish, myself.

Was it exciting to be around, or was it a bit like 'fuck, anything might happen at any moment'?

I think most people were surprised when the shit really hit the fan, it didn't feel dangerous or anything before that. Mayhem were going off in interviews a couple of years prior, but it didn't seem too serious, still.

So, the Live Evil fest in London in a few months, what are your thoughts?

We're very excited to be invited, and I am very much looking forward to seeing some of the bands! Great initiative to bring so many underground acts together.

I like how there's a lot of respect between the bands, as opposed to competition.
Yeah, I think the atmosphere is very friendly, and I think most death metal bands are pretty happy there is an actual scene here in Norway for it now.

I bet. There are a lot of really good bands there with yourselves, Obliteration, not to mention the thrash acts Deathhammer, Nekromantheon, Black Magic etc. Why is it so big in Norway, do you think?
Not sure. But I think we're seeing more diversity in the Norwegian brutal metal. One reason might be that the domination of black metal has diminished, somewhat. I used to play in noplacetohide, which was more technical thrash/death, in the 90s. That was pretty lonesome, ha ha. Black metal can be fantastic, but I think a lot of youngsters were hopping on the bandwagon when they saw how easy it was to get signed if you put on make up and used some Norse references.

So, lastly; when is the album scheduled roughly for release?

Yeah, we're negotiating with a label now, hoping for an early 2011 release. There has been talk of a cassette release of Doomscapes, as well as a cassette live release. Don't know how those projects are going, though.

Diskord (Norway) hdfh (2005)



1.Hdfh
2.Infested
3.Utopia?

DOWNLOAD

Tuesday, 23 February 2010

Interview with Sindre Solem of Obliteration for Terrorizer



Here's an interview I did with Sindre for the March 2010 issue of Terrorizer. Click to enlarge.

Brace yourselves for the new Nekromantheon record by the way, it's an absolute SCORCHER. In his own words, "burn the souls of the unworthy."

Wednesday, 2 December 2009

Interview with Kenneth of Neseblod Records, Oslo

Neseblod Records is Oslo’s premier metal and punk record store and also the most insane shop I’ve ever been to. Their collection of records and merchandise is crazy; trying to get through it all was pretty much impossible. The store could be five times the size and still be over-stocked. I interviewed Kenneth at Neseblod for Vice a while back, here it is...

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You have a seriously large archive – both music and merchandise. Has much of the stock come from your own personal collections?
Kenneth:
When we started the shop, we had some of our own collection. We also have a dig about at home sometimes and bring it to the store.

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You are the premier record store in Oslo for metal, punk and alternative stuff. Was there anywhere you could buy such music between the closure of Helvete in ‘93 and the opening of your store in 2003?
There had not been any special store for this kind of music, but there were second hand stores that had some stuff every now and then.

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Speaking of Helvete, you have many artifacts belonging to Euronymous. Was he a personal friend of yours?
No, not really. I bought a lot of records from him and sold him some of my Mercyful Fate records. We would talk about music and stuff whenever I was at Helvete.

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Have you noticed a big change in trend in metal over the last few years? I know metal is supposed to be ‘anti-trend’ or whatever but…
Yes, a lot of the old school thrash metal is extremely popular and is getting more plays than it did back in the 80s.

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Norway has had a pretty mercurial touch when it comes to producing great metal bands, since the first wave of black metal bands towards the end of the 80s/early 90s. What is it that makes Norway such a breeding ground for great bands?
Not sure, but it might have something to do with us having a big interest for underground music. And I think we are not afraid to try something different. We also have the long cold winter and the forest – that might influence our minds.

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Do you ever get any really odd requests at your store? Musically or otherwise.
Yes, some questions about the t-shirt “DREP DE KRISTENE”. Er, no comment.

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On the website it says : “A BIG THANKS TO UB40 FOR THE BADDEST MUSIC IN THE WORLD”. What?!?
HA HA HA. Me and Fenriz were talking about the worst band we could come up with. We came up with UB40. Nothing over, nothing under.

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Monday, 14 September 2009

A Metal Pilgrimage to Oslo

Here are some pictures from my recent visit to Oslo, Norway. Pics from the Deathhammer, Nekromantheon, Whiplash & Agent Steel show, plus Aura Noir, Natttefrost & Enslaved at Øya Festival, finishing off with shots from Neseblod Records and an evening spent at Fenriz's house. Special thanks to Fenriz and Sindre for their hospitality. Enjoy...

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